Adela C. - Graphic Novels

From Spider-Man to Ayn Rand
By DOUGLAS WOLK
Published: August 15, 2008

When an anonymous donor recently gave the Library of Congress Steve Ditko’s original artwork from the 1962 comic book “Amazing Fantasy #15,” the issue in which he created Spider-Man with the writer Stan Lee, barely anyone took notice. One of American comics’ great visual stylists, Ditko also had a hand in the development of both Iron Man and the Hulk, but his characters’ subsequent mass-media careers have made him neither rich nor particularly famous. He drew his greatest work for a flat page rate; Lee, his collaborator, was the grinning public face of Marvel Comics, while Ditko has refused all interviews and public appearances for decades.

He split with Lee and Marvel in 1966. By then, he’d fallen under the spell of Ayn Rand and Objectivism, and started producing an endless string of ham-fisted comics about how A is A and there is no gray area between good and evil and so on. “The Hawk and the Dove,” for instance, concerns two superhero brothers who … oh, you’ve already figured it out. Ditko could still devise brilliantly disturbing visuals — the Question, one of his many Objectivist mouthpieces, is a man in a jacket, tie and hat, with a blank expanse of flesh for a face — and his drawing style kept evolving, even as his stories tediously parroted “Atlas Shrugged” and “The Fountainhead” at the expense of character, plot and ultimately bearability. By the ’70s he was regarded as a slightly old-fashioned oddball; by the ’80s he was a commercial has-been, picking up wretched work-for-hire gigs. Bell suggests that, following the example of Rand’s John Galt, Ditko hacked out money­making work, saving his care for the crabbed Objectivist screeds he published with tiny presses. And boy, could Ditko hack: seeing samples of his Transformers coloring book and his Big Boy comic is like hearing Orson Welles sell frozen peas.

http://www.nytimes.com/2008/08/17/books/review/Wolk-t.html